Difference between revisions of "Equipment/Glassworking"
m (moved SmallScaleMetalAndGlass to Glassworking: Proposal out of date, we now have the metalworking stuff done separately.) |
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| − | + | We now have a kiln and hot torch to work with soft glass - fusing and forming rather than blowing although if there's interest in the latter let us know! | |
| − | + | == Equipment == | |
| − | + | Our kiln is a Paragon SC2 kiln with an included bead door and window. This kiln includes a controller capable of multi-step programs with controlled rate heat up and cool down cycles. It has a maximum temperature of 1100 degrees centigrade, enough to fire some metal clays and work with most kinds of glass, but not enough to act as a metal furnace. | |
| + | |||
| + | In addition to the kiln we have a HotHead gas torch, along with the appropriate connection kit to run off bulk Propane gas rather than the normal MAPP cylinders (these burn slightly hotter, but are much more expensive as they're not available in larger quantities). The torch is mounted on a height and angle adjustable stand suitable for bead work when sitting on the low stool that should be lurking around the glassworking station. | ||
| + | |||
| + | For bead working we have a variety of mandrels, bead release that can be cooked in the flame and a wedge shaped graphite marver. | ||
| + | |||
| + | For art glass and strip-work we have a set of cutting tools along with a slump mould for making very small (9x9cm) glass plates. | ||
| + | |||
| + | It is important that these tools remain exclusively used for glass, please resist the temptation to use the cutters, pliers etc for other materials! | ||
| + | |||
| + | == Glass Stock == | ||
| + | |||
| + | We have a selection of glass rod, sheet, stringer and frit. | ||
| + | |||
| + | The large pots of glass are bought as a random selection for about ten pounds per pot, they consist of offcuts of bullseye COE90 (coefficient of expansion, only important in as much as all glass in a particular piece should have the same number to prevent explosions!) in various thicknesses. Bullseye COE90 glass will tend to form 6mm thick sheets due to surface tension so stack your strip-work to that height. | ||
| + | |||
| + | In addition to this we have a small amount of specific colours of bullseye COE90 glass currently in clear 9x9cm sheets and larger plates of Makespace colours. We can buy at a discount from a couple of online suppliers even when ordering small quantities (a side effect of buying all the kiln and other hardware in one go!) so post to the list of you want anything in particular and we can order it. | ||
| + | |||
| + | For bead making we have a set of clear and a set of mixed coloured COE90 rods, along with tubes of frit and a selection of random stringer (1mm thick rod) glass for decoration. Prices for these are TBD, but will be printed on a sheet near the glassworking station when determined (something in the order of a pound per full rod, that would work out as around 20-40p per medium size bead, each of which would take about half an hour to make). | ||
| + | |||
| + | == Location == | ||
| + | |||
| + | The glassworking kit is in the corner of the main workshop nearest the stairs up to the cafe. Please keep work to the area covered by the steel sheeting - we're not working with enough material to cause a serious problem otherwise but it helps keep everything tidy. As it currently stands the station is only suitable for one person, or two if both are working together. It would be asking for trouble to try to have someone using the table to cut glass at the same time as someone was working with the torch, so please don't! | ||
| + | |||
| + | == Scheduling == | ||
| + | |||
| + | Unlike many pieces of equipment in Makespace the kiln requires a considerable amount of uninterrupted time to run. We don't have a formal booking system in place, so for now I suggest you email the list if you propose to use it. For example, if you're doing bead work you will be spending between half an hour and two hours (depending on how many you're making) using the hot torch, with beads being placed in the kiln at a holding temperature while the others are worked in the flame, then running an annealing cycle which will cool down under computer control for a couple of hours, then cooling to ambient before the kiln becomes available for other users. It should be possible to get two runs in a day, as long as the first is done in the morning, but no more than that. | ||
| + | |||
| + | While the kiln is a model which should be possible to leave unattended please ensure you can be in the space for the duration of its active firing cycle - it's fine to leave once the heating elements are off and the kiln is cooling to ambient but for now please hang around while it's actually firing. We may be able to revisit this at some point after it's had a track record of not bursting into flames etc etc. | ||
Revision as of 00:10, 19 April 2013
We now have a kiln and hot torch to work with soft glass - fusing and forming rather than blowing although if there's interest in the latter let us know!
Contents
Equipment
Our kiln is a Paragon SC2 kiln with an included bead door and window. This kiln includes a controller capable of multi-step programs with controlled rate heat up and cool down cycles. It has a maximum temperature of 1100 degrees centigrade, enough to fire some metal clays and work with most kinds of glass, but not enough to act as a metal furnace.
In addition to the kiln we have a HotHead gas torch, along with the appropriate connection kit to run off bulk Propane gas rather than the normal MAPP cylinders (these burn slightly hotter, but are much more expensive as they're not available in larger quantities). The torch is mounted on a height and angle adjustable stand suitable for bead work when sitting on the low stool that should be lurking around the glassworking station.
For bead working we have a variety of mandrels, bead release that can be cooked in the flame and a wedge shaped graphite marver.
For art glass and strip-work we have a set of cutting tools along with a slump mould for making very small (9x9cm) glass plates.
It is important that these tools remain exclusively used for glass, please resist the temptation to use the cutters, pliers etc for other materials!
Glass Stock
We have a selection of glass rod, sheet, stringer and frit.
The large pots of glass are bought as a random selection for about ten pounds per pot, they consist of offcuts of bullseye COE90 (coefficient of expansion, only important in as much as all glass in a particular piece should have the same number to prevent explosions!) in various thicknesses. Bullseye COE90 glass will tend to form 6mm thick sheets due to surface tension so stack your strip-work to that height.
In addition to this we have a small amount of specific colours of bullseye COE90 glass currently in clear 9x9cm sheets and larger plates of Makespace colours. We can buy at a discount from a couple of online suppliers even when ordering small quantities (a side effect of buying all the kiln and other hardware in one go!) so post to the list of you want anything in particular and we can order it.
For bead making we have a set of clear and a set of mixed coloured COE90 rods, along with tubes of frit and a selection of random stringer (1mm thick rod) glass for decoration. Prices for these are TBD, but will be printed on a sheet near the glassworking station when determined (something in the order of a pound per full rod, that would work out as around 20-40p per medium size bead, each of which would take about half an hour to make).
Location
The glassworking kit is in the corner of the main workshop nearest the stairs up to the cafe. Please keep work to the area covered by the steel sheeting - we're not working with enough material to cause a serious problem otherwise but it helps keep everything tidy. As it currently stands the station is only suitable for one person, or two if both are working together. It would be asking for trouble to try to have someone using the table to cut glass at the same time as someone was working with the torch, so please don't!
Scheduling
Unlike many pieces of equipment in Makespace the kiln requires a considerable amount of uninterrupted time to run. We don't have a formal booking system in place, so for now I suggest you email the list if you propose to use it. For example, if you're doing bead work you will be spending between half an hour and two hours (depending on how many you're making) using the hot torch, with beads being placed in the kiln at a holding temperature while the others are worked in the flame, then running an annealing cycle which will cool down under computer control for a couple of hours, then cooling to ambient before the kiln becomes available for other users. It should be possible to get two runs in a day, as long as the first is done in the morning, but no more than that.
While the kiln is a model which should be possible to leave unattended please ensure you can be in the space for the duration of its active firing cycle - it's fine to leave once the heating elements are off and the kiln is cooling to ambient but for now please hang around while it's actually firing. We may be able to revisit this at some point after it's had a track record of not bursting into flames etc etc.
